It’s a bit of church news you’re not likely to have forgotten.
Four years ago in the little town of Borja, Spain, there was a case
of thought-to-be vandalism that turned out to be an unfortunate attempt
at art restoration.
Cecilia Giminez, an elderly Spanish woman, created a well-intentioned
but regrettably executed restoration of Ecce Homo (or ‘Behold the
Man’), a fresco painting of Jesus before he is nailed to the cross.
The original painting, found in the Catholic Church of Our Lady of
Mercy in Borja, showed Jesus in a robe with the crown of thorns on his
head, glancing heavenward in agony, which had begun to wear over time.
However, after Giminez’s touch-up, the painting looked almost inhuman -
more like a monkey or a werewolf, with shapeless and fuzzy features.
But it wasn’t all bad. The original painting was not thought to be
highly valuable, although it was a prized possession of the community.
And the small, struggling town of Borja also benefited economically from
the sudden international attention to the painting, thanks to countless
memes and skits about the newly refreshed fresco, including the
unforgettable sketch featuring Kate McKinnon on Saturday Night Live.
Now, a comedic opera memorializing the painting’s story is set to
debut at Our Lady of Mercy in Borja next year, five years after the
hilarious mishap.
Americans Andrew Flack, and Paul Fowler, a composer, made this opera
their pet project ever since the fresco flop in 2012, the New York Times
reports.
The opera will feature the story of Gimenez’s restoration, as well as
the positive effect it had on the town.
The style of the opera will be,
well, a little bit of everything - “a Gregorian chant, a Spanish
fandango, a Renaissance motet, a jota from Zaragoza, a classical chorus,
an aria from the Zarzuela, a Flamenco tango, an indie-rock hook and a
Swedish-house baseline,” Fowler told the New York Times.