The 14 Stations were designed and carved in oak by a Catholic sculptor, Peter Foster, son of Anthony Foster, a pupil of the influential sculptor and typeface designer, Eric Gill.
The vicar, Revd Raymond Taylor, blamed the row on personalities and theology in equal measure.
"There was vociferous opposition to the Stations," he said.
"Artistically some people thought they were dreadful. They felt they were too heavily painted. One person said they looked too much like Walsingham on a bad day."