Dressed in a woolen poncho,
leather boots and silver spurs, the traditional gaucho was the cowboy of
Argentina's immense plains, herding cattle and living a simple, hard
life far from family and close to nature.
Though a little rough around the edges, gauchos were generally known to
be respectful, loyal, honest and proud, rooted to a code of ethics that
valued work and solidarity.
"The gaucho culture is an attitude toward life, and I believe Pope
Francis is highlighting precisely this aspect in his current mission,"
said Roberto Vega Anderson, an Argentine gold- and silversmith who is
the curator of a newly opened exhibit at the Vatican.
The show, "Argentina, the Gaucho: Tradition, Art and Faith," opened May
17 and runs until June 16 in the Vatican's Braccio di Carlo Magno -- a
hall next to St. Peter's Basilica.
Planning for a Vatican exhibit on Argentine gauchos had begun last
summer, well before Pope Benedict XVI announced plans to resign and
cardinals convened to elect the first pope from Latin America.
Organizers said it was "providential" and "lucky" the show opened under a new pope from Argentina.
Pope Francis, like most Argentines, is no stranger to the gaucho culture.
The hardworking horsemen who ranched cattle across the continent's
southern grassy Pampas plain became a symbol of national pride in the
region.
Jose Hernandez; epic 19th-century Argentine poem, "Martin Fierro" --
about a fictional gaucho outlaw who fights for a better life --
represents "the heart of our national identity," the future pope once
wrote.
Then-Cardinal Jorge Mario Bergoglio of Buenos Aires published an essay
in 2002 using the famous literary gaucho as a figure for reflection
about the future of the nation.
The future pope said the gauchos had something to teach the country
because "we Argentines have the dangerous tendency to think that
everything just started today, to forget that nothing appears out of
thin air or drops out of the sky like a meteorite," he wrote in the
essay titled, "A Reflection Starting with Martin Fierro."
The future pope wrote that in the idyllic world of Fierro, the gaucho
lives in harmony with nature, works with joy and skill, has fun with his
friends, and lives simply and humanely surrounded by few material
belongings.
As the exhibit shows, the gaucho used the poncho as a coat and blanket
at night, ate with his knife -- the "facon" -- and carried a hollowed
out gourd or ox horn for drinking his herbal tea called mate. When they
could, gauchos would embellish their tools and horse trappings with
ornately designed silver.
Then-Cardinal Bergoglio highlighted the fortitude and can-do attitude of
the gaucho, who "takes his destiny into his own hands" with what little
he has instead of pining for more or waiting for someone else to act.
"Rebuilding isn't the task of a few but of everyone," he wrote.
Father Angel Bartolome Hernandez, vice rector of Rome's Pontifical
Argentine College in Rome, said the gaucho had a hard life, but "knows
how to put on a happy face during hard times."
Suffering "made you stronger and there was always the hope of a better tomorrow," he said. The gaucho learned "to make do with what he had and rely on himself" given there weren't any supermarkets in sight, he said.
The fertile Pampas plain helped cultivate a benevolent view of the world
because "all you had to do was toss a seed and it would bloom by
itself." And life was a lot like crops: some years were good, others
bad, "so it paid to take advantage of the good ones to gather strength
and the means to get through the bad," he said.
Father Hernandez said the pope's Italian roots -- not just gaucho traditions-- also influence his world view.
Like many immigrants, the pope's Italian grandparents had to start from
scratch, but hard work helped pull them from poverty, the priest said.
The pope's experience of seeing that care and effort reaped benefits
means the dignity of work is very important for him, as is the culture
of savings and taking care of creation, he said. The gaucho culture is
similar in its "faith in Mother Earth, who needs to be respected and
safeguarded because it supplies us with everything."
Many things the pope has said reflect this unique lens on life: his
calls for protecting creation and for dignified employment, the
importance of simplicity and hope, as well as his idea of "pressing on"
even when carrying a burden.
Even if the gaucho lost his few possessions after racing his horse
against another or in a friendly game of cards, "he was ready to get
back to his journey toward fresh sacrifices, to regain what he had lost
even if it meant it would take the rest of his life," one section of
Vatican exhibition said.
Father Hernandez said it was not unusual for Cardinal Bergoglio to use
an opus like "Martin Fierro" as part of his catechesis on nation
building and civic duty.
The future pope taught high school literature before and after becoming a
priest so he was very proficient in literary themes and figures, Father
Hernandez said.
His wide and eclectic knowledge also helped supply him with numerous
elements that he'd mix and match with a religious message creating such
metaphors, he said, as "the babysitter church" to describe a parish that
doesn't give birth to active evangelizers but only worries about
keeping parishioners out of trouble.
"His sentences are like proverbs and the gaucho culture has this, like
many cultures, where in two lines you get a recap and a wise
reflection," he said.
Father Hernandez said he hoped having an Argentine pope would help spark
curiosity about his native country and culture. "Now we have offered
the world a pontiff, we can also offer the clear intelligence of our
literature," he said.