The leaders of the U.S. bishops' conference have requested immediate
changes to the music used during the Catholic Mass in parishes across
the country to align the texts of the English liturgy more closely to a
strict translation of the Latin version.
The changes, announced in the latest edition of a newsletter
put out by the bishops' Committee on Divine Worship, ask musicians and
the faithful to stop referring to Jesus by any title but "Lamb of God"
before they receive Communion.
According to the bishops' newsletter, the U.S. bishops'
Administrative Committee, a group of 36 American bishops, approved the
changes to the music in September following a request by the Vatican's
Congregation for Divine Worship and the Discipline of the Sacraments.
The newsletter states that a document approved by the U.S. bishops in
2007 that granted permission for Catholics to use other titles for
Jesus during the musical litany has been "altered to remove any further
permission" for the use of those titles, sometimes referred to as
tropes.
"This alteration is effective immediately, and affects all existing and future musical settings of the Lamb of God," the newsletter states.
The changes affect the music Catholics use during the last part of
the Mass before taking Communion when they sing or chant, "Lamb of God,
you who take away the sins of the world, have mercy upon us."
While the Latin version of the Mass specifies that the refrain is to
be sung three times before the faithful proceed to receive Communion,
congregations in many U.S. parishes have traditionally extended the
litany, sometimes including other titles for Jesus such as "Word of
God," "Bread of Life" or "Light of Peace."
Calls to the bishops' Secretariat of Divine Worship for comment on the change were not returned Wednesday.
While several liturgists and liturgical composers contacted by NCR
for comment about the change said they were unsurprised that the
Vatican has apparently decided the longer versions were no longer
necessary, they also expressed some frustration that the change
reflected one more sign that the bishops were exerting control over the
Mass.
One liturgist, Viatorian Fr. Mark Francis, called the changes "another revision to a former way of operating."
"We're into this fundamentalist kind of approach," said Francis, who
has previously taught at the Catholic Theological Union in Chicago and
served in Rome as his congregation's superior general until July.
The changes to the "Lamb of God," Francis said, are "another example
of [the bishops'] trying to maintain the purity of the Roman rite."
"Other than simply being literally faithful to the previous way of
doing these things, what does this do for us?" he asked. "How does this
help our worship? That question is very rarely asked anymore."
Felician Sr. Judith Kubicki, an associate professor of theology at
Fordham University, said she saw the change as "two-pronged," both as a
logistical adjustment following the recent changes in the liturgy and as
a further signal that the Vatican is concerned about "controlling the
text" of the Mass.
"It's another example of a need to completely supervise what the
prayer text is," said Kubicki, who also served as president of the North
American Academy of Liturgy in 2008.
"And if you have these tropes ...
they're no longer under supervision."
Descriptions of the change on several blogs have also attracted wide
comment, with a posting on the popular liturgical blog "PrayTell"
receiving almost 90 comments in recent days.
Several liturgists at the blog and others in comments to NCR
mentioned that while they may disagree with the background of the
bishops' decision to stick more closely to the Latin text, many of the
changes made to the Mass in the recent revision of the English
translation made a longer version of the "Lamb of God" no longer
necessary.
Fr. Jan Michael Joncas, a Catholic liturgical composer and liturgist, told NCR
the changes to the music of the "Lamb of God" are one side of "two
kinds of visions for how liturgical reform/renewal/restoration goes
forward."
"One is a restrictive form in which you are limited to precisely the
texts that are offered in the officially approved Roman missal," said
Joncas, an associate professor of Catholic studies and theology at the
University of St. Thomas in St. Paul, Minn. "And that's really what has
taken place now."
At the same time, Joncas said, the new version of the Mass has also
shortened the time required for the consecration of the bread and wine,
meaning there is less time for the congregation to sing before taking
Communion.
As an example, Joncas pointed to changes in the latest version of the General Instruction of the Roman Missal,
issued by the U.S. bishops' conference in 2011, which instructs that
the wine for Communion be poured from one carafe into separate glasses
before the act of consecration.
Before that instruction, it had been common practice in many parishes
to pour the wine into separate glasses following its consecration.
Changes like that, Joncas said, shorten the time from the consecration
of the Eucharist to when parishioners come up for Communion.
"If the music is supposed to cover the ritual, it's pretty clear that you need less and less music," Joncas said.
According to the bishops' newsletter, the paragraph in the 2007
document that mentions the matter, named "Sing to the Lord: Music in
Divine Worship," has now been changed to reflect the change in music
before Communion.
Referring to the Latin for "Lamb of God," the newsletter says that paragraph now reads: "The Agnus Dei should not be prolonged unnecessarily nor may other texts be added to this chant."
The previous version of the document stated that "when the Agnus Dei is sung repeatedly as a litany, Christological invocations with other texts may be used."
The newsletter also states that New York Cardinal Timothy Dolan,
president of the bishops' conference, received a letter regarding the
issue "earlier this year" from Archbishop J. Augustine Di Noia, an
American who until June was the second in command at the Vatican's
worship congregation.
The letter, the newsletter states, said the practice of using other
titles for Jesus was "not in conformity" with the Roman Missal and asked
the U.S. bishops' conference to "make this information available to
publishers and pastors."
Dolan responded to Di Noia by saying that "the matter would be addressed, in part through a correction to Sing to the Lord," the newsletter states.
While the "Sing to the Lord" document was approved with wide support
from the U.S. bishops in 2007, the newsletter states that it was
presented "as a set of non-binding guidelines" and did not require
Vatican approval.
The bishops' committee's newsletter also states that the entire text
of the "Sing to the Lord" is undergoing an "editorial review" following
the changes in the translation of the English version of the Mass.
That review, the newsletter states, "will result in minor changes to
vocabulary, capitalization, and quotes" from the Roman Missal.